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	<title>Banjo Meets World &#187; 11/8</title>
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		<title>Banjo Meets World &#187; 11/8</title>
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		<title>How to get into an odd-meter groove</title>
		<link>http://banjomeetsworld.wordpress.com/2008/11/26/how-to-get-into-an-odd-meter-groove/</link>
		<comments>http://banjomeetsworld.wordpress.com/2008/11/26/how-to-get-into-an-odd-meter-groove/#comments</comments>
		<pubDate>Wed, 26 Nov 2008 15:57:27 +0000</pubDate>
		<dc:creator>Cathy Moore</dc:creator>
				<category><![CDATA[Lessons]]></category>
		<category><![CDATA[11/8]]></category>
		<category><![CDATA[7/8]]></category>
		<category><![CDATA[9/8]]></category>

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		<description><![CDATA[Having trouble &#8220;feeling&#8221; odd rhythms like 9 and 11? Here are some suggestions I posted on this Banjo Hangout thread. Since it&#8217;s hard to communicate the beats in text, I&#8217;ll add &#8220;Intro to Odd Rhythms&#8221; to my video to-do list.
It&#8217;s all 2s and 3s
The main thing is to be able to hear and play the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=banjomeetsworld.wordpress.com&blog=4158297&post=263&subd=banjomeetsworld&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p>Having trouble &#8220;feeling&#8221; odd rhythms like 9 and 11? Here are some suggestions I posted on <a href="http://www.banjohangout.org/forum/topic.asp?TOPIC_ID=132250">this Banjo Hangout thread</a>. Since it&#8217;s hard to communicate the beats in text, I&#8217;ll add &#8220;Intro to Odd Rhythms&#8221; to my video to-do list.</p>
<p><strong>It&#8217;s all 2s and 3s</strong></p>
<p>The main thing is to be able to hear and play the &#8220;quick&#8221; (2) and the &#8220;slow&#8221; (3). Everything is built on that.</p>
<p>For example, the 9 of <a href="http://banjomeetsworld.wordpress.com/2008/08/15/rampi-rampi-the-complete-package/">Rampi Rampi</a> could be felt as 2+2+2+3 and counted out as &#8220;1-2 1-2 1-2 1-2-3&#8243; with each number getting the same time value and with no pause between the clumps (chant robotically &#8220;1 2 1 2 1 2 1 2 3 1 2 1 2 1 2 1 2 3&#8243;). You could also think of it as &#8220;quicka quicka quicka slow-and-a,&#8221; with each syllable getting the same emphasis and no punctuation at the end of the phrase.</p>
<p><strong>Start with the big muscles</strong></p>
<p>The way I got into odd rhythms was by dancing. So I started by moving mostly big muscle groups, which got the rhythm into my entire body. Then I progressed down to smaller muscles like those needed to play banjo.</p>
<p>So I usually recommend that you find some music in the rhythms that you like and to do something approaching dance, even if it&#8217;s just walking across the room by taking a step on each major beat. This will teach your body the difference between the 2 and 3.<span id="more-263"></span></p>
<p>So, for example, if you wanted to get the Rampi Rampi 2+2+2+3 / &#8220;quick quick quick slow&#8221; into your body, you might try walking across the room while Rampi Rampi is playing, stepping only 4 times in each measure, one step on each &#8220;quick&#8221; and one on the &#8220;slow.&#8221; You&#8217;ll hold your last step (the 3 or &#8220;slow&#8221;) longer than the other three .</p>
<p>If that&#8217;s too weird, you could try tapping the head of the banjo on each major beat. When that seems to work, try adding smaller beats, such as tapping all 3 beats of the set of 3.</p>
<p><strong>Try putting words to it</strong></p>
<p>Another trick is to think of a sentence or phrase that matches the rhythm. For example, the Rampi Rampi 2+2+2+3 could be something like &#8220;I don&#8217;t want to see the hospital.&#8221; The trick is to repeat the phrase evenly with no pause in between phrases, like &#8220;I don&#8217;t want to see the hospital I don&#8217;t want to see the hospital&#8230;.&#8221; (Not the cheeriest of phrases but I&#8217;m drawing a blank at the moment.)</p>
<p><strong>Listen to lots of odd rhythms</strong></p>
<p>Once you&#8217;ve internalized the difference between a 2 and a 3, you can play any of the common Balkan dance rhythms, because they&#8217;re all built of 2s and 3s. A sampling for your dancing/walking/head thumping practice:</p>
<p>11/8 (gankino or kopanitsa): 2 2 3 2 2 (&#8220;quick quick slow-and-a quick quick&#8221;)<br />
Sample: <a href="http://www.dunav.org.il/music/bulgaria/254_Gankino_Horo.mp3">Gankino Horo</a></p>
<p>7/8 (ruchenitsa): 2 2 3 (&#8220;quick quick slow-and-a&#8221;)<br />
Sample: <a href="http://www.dunav.org.il/music/bulgaria/129_Bulcenska_Racenica.mp3">Bulčenska Račenica</a></p>
<p>7/8 (lesnoto): 3 2 2 (&#8220;slow-and-a quick quick&#8221;)<br />
Sample: <a href="http://www.dunav.org.il/music/bulgaria/140_Kate_Licno_Devoishe.mp3">Kate Lično Devojče</a></p>
<p>5/8: 2 3<br />
Sample: <a href="http://www.dunav.org.il/music/bulgaria/240_Jampolsko_Pajdusko.mp3">Jampolsko Pajduško</a></p>
<p>For more music, you might check out the Bulgarian, Macedonian, Greek, and Turkish pages of the <a href="http://www.dunav.org.il">Dunav</a> site. There are several MP3s, and sometimes the notes explain the meter.</p>
<p>And if you&#8217;re in Germany in early May, come to the <a href="http://www.banjoree.com/">Banjoree</a>, where I&#8217;ll be teaching how to clawhammer in weird rhythms.</p>
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		<title>Elzic&#8217;s Farewell to Bulgaria</title>
		<link>http://banjomeetsworld.wordpress.com/2008/07/06/elzics-farewell-to-bulgaria/</link>
		<comments>http://banjomeetsworld.wordpress.com/2008/07/06/elzics-farewell-to-bulgaria/#comments</comments>
		<pubDate>Mon, 07 Jul 2008 03:32:09 +0000</pubDate>
		<dc:creator>Cathy Moore</dc:creator>
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		<category><![CDATA[aEADE]]></category>
		<category><![CDATA[11/8]]></category>
		<category><![CDATA[Bulgarian]]></category>
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		<description><![CDATA[An old-time tune done in Bulgarian 11/8. I added some traditional gankino riffs.

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			<content:encoded><![CDATA[<div class='snap_preview'><br /><p>An old-time tune done in Bulgarian 11/8. I added some traditional gankino riffs.</p>
<p><span style='text-align:left;display:block;'><p><object type='application/x-shockwave-flash' data='http://banjomeetsworld.wordpress.com/wp-content/plugins/audio-player/player.swf' width='290' height='24' id='audioplayer1'><param name='movie' value='http://banjomeetsworld.wordpress.com/wp-content/plugins/audio-player/player.swf' /><param name='FlashVars' value='&amp;bg=0xf8f8f8&amp;leftbg=0xeeeeee&amp;lefticon=0x666666&amp;rightbg=0xcccccc&amp;rightbghover=0x999999&amp;righticon=0x666666&amp;righticonhover=0xffffff&amp;text=0x666666&amp;slider=0x666666&amp;track=0xFFFFFF&amp;border=0x666666&amp;loader=0x9FFFB8&amp;soundFile=http%3A%2F%2Fwww.cathy-moore.com%2Fbanjo%2FMP3s%2Felzics_bulgaria.mp3' /><param name='quality' value='high' /><param name='menu' value='false' /><param name='bgcolor' value='#FFFFFF' /></object></p></span></p>
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